July 4th

Happy Fourth of July! It's been a busy few weeks and I have actually been involved in a few music video shoots. I'm hoping to fill my Summer with more photo shoots along the way.  

Just wanted to share some photos from yesterday's holiday for my own enjoyment. I am still in awe of my d600 and the capabilities. I definitely chose the right camera. I'm super excited for my new iphone 5 and the camera on it as well. No judgement, a camera is only a tool and a photograph is only as good as the person behind the camera.

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Jo's first sparklers.

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Thanks for sticking by me, if you're reading this.

 

ps Working on a Liberia video as well, I know this has been dragging on and on, but it should be worth the wait. fingers crossed.

Westpoint

Day 5 It's 2013. This year has been intense. Today I finally got to experience Ethiopian food. We took a walk to Ken's favorite place and sat on the porch. He pretty much ordered for us since we had no idea what to get. We got some meat dish and a vegetable dish along with some ethiopian coffee. The coffee was different from the lebanese. Still good, but I think I loved the lebanese coffee the most.

Please enjoy this demonstration of how to eat Ethiopian food by Ken Harper:

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It comes out on one plate and there are no utensils. You use Injera, a sponge like bread to grasp the different parts of the dish. We learned there's actually a lot of protein in Injera?

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Step 1: Tear off a piece of the Injera

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Step 2: Grasp the food. (Can't go wrong, it all tasted good)

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Step 3: Make a small pouch of said food that is able to be eaten in a bite or two.

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Step 4: Make this face as you enjoy the deliciousness. Welcome to Liberia's Ethiopian food.

It's distinct flavors and textures and overall it was an enjoyable experience.

After lunch, Jess, Jim, and I called David and asked him to take us to various points around the city to scope things out and to start gathering some b-roll. David picked us up and took us to the first place.

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It was a little hike down a rocky passage and it looked right out onto the cliff. We enjoyed the view and actually started taking some photos of some people that lived there. We met a woman and her two children  and we were able to photograph them. It was really incredible. I feel like all we have to do is just treat these people like they are humans. Living, breathing, real people. That's all they are. Just like myself. Just like your enemy, your president, your dentist. We feel the same things and we love the same way. So I don't understand how people can't see that. I also realized that I adore kids. I mean, look at his little face.

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So we piled into the car and drove to David's second place: Westpoint. Westpoint is the poorest place in Monrovia. People live on top of each other all jammed into a section that borders the Mesurado River. There is only one road to get through and there are only a few strategic places a car can turn around. His little franken-car did incredible well driving over rocks and ruts.

David took us through the road and we were stared at mostly. The three of us are amazing at keeping our smiles up, encouraging people to remember that we are people too. Mostly we can get the kids to smile. They are excited to see us. We got out of the cab then and walked through some narrow allies where people were making bread, hanging clothes, washing babies and playing soccer. It's an area filled with the energy of kids and resilient faces on the adults. We walked to the edge of the river and the kids looked on curiously at us, not sure what to think. David climbed onto the colorful canoe that was tied up, floating in the river. Jim and Jess were a little more hesitant to step up there, so I of course climb up and start walking down it carefully balancing so my photo equipment didn't fall into the water and sink to the depths. The other two followed suit. I'm not sure if Jim let go of the mast the whole time we were on the boat, but I think we all enjoyed it because it was the first time Liberians wanted their photo taken. Two bold boys, maybe seven or eight years old, swam in the river and called out "FLASH ME."

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We photographed them and they climbed into the canoe and started doing tricks and jumping off. I looked down into the water and drifting beneath us was garbage floating in the river; old tires, plastic bags, containers, just drifting silently under us only to be disrupted by the kids jumping and splashing into the river.

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We shook hands with older guys and chatted with them. I laughed at the kids jumping in and was open with the people we met. As we walked off the canoe the kids on the land had warmed up and they wanted to be photographed too. So we all took turns shooting with our different lenses the different people. It was a crazy place and the kids were essentially playing in garbage, with garbage. They didn't care though. Boys swam naked still at an age where they are unapologetic to who they are. They gathered around for group photos and then raced  to us to look at them.

We spent some time with young fishermen, one of which tried introducing me to his mother. She ran away when she saw my camera. they were goofy and posed on each other and with us. Everyone we met there made us smile.

I hope my pictures can give you some idea as to what it was like. But like I have mentioned before, there's nothing like the real experience. It's an assault on the senses, I couldn't open my eyes wide enough and take everything in.

Finally David took us to the beach. We wanted to record B-roll of the sun setting over the water. There were a ton a people around us and we tried our tactic of allowing them to press the buttons and take some photos of us before we made some photos of them. These kids were super excited to show off their talents to us and see the different photos of each other. We got mobbed by all kinds of young kids talking to us.

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I walked to the edge of the water and I remember thinking it was the first day of the year 2013. I started thinking about the different things I've seen in the 23 years I've lived and the opportunities I've been presented with. It was an introspective moment for me and I was very optimistic for myself and for the project we had agreed to tackle in Liberia. It's only the beginning.

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Mental Photographs

There are a few things I want to explain before I go on further. The next day or two there aren't any photos. This is because Liberians do no like their photo taken. They are a post-war country and they had so many things taken away from them that many only have control over their image. Some think if you take their photo, you're going to go home and become rich on their image while they don't necessarily have the basic necessities.  

Therefore we all decided to take a day or two of exploring Monrovia without our cameras, of getting a feel of the people and the place.

 

 

 

Day 2

Woke up pretty late in the day today. Either 11:30 or 12:30. I showered* and we paid for our rooms. Ken told us to kind of set aside some money we'd spend for the day and then layer it so we're not opening our purse or digging for the money.

 

[*showers are a little different here. They are only cold water, which doesn't really matter because it's 90 degree every day and humid. There's a four inch lip on the shower that you have to finish washing before it overflows. There are no long showers at this place. I started showering every night to at least be able to sleep clean and every night heat just poured out of my hair. It's definitely something you get used to quickly, the speedy showers, the cold water mixing with your body heat as they run down your back together]

 

We walked to lunch down the road at Dona Marie's, a place that makes pizzas and ice cream. Jess and I split a medium vegetable pizza. We sat in there trying to refuel a bit before our long walk we were about to take.

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Then we just started walking. We walked down the main road which was busy with businesses and people. We traveled by the University of Liberia. We talked to a few students around there. Everyone dresses  up when they go to school. I originally thought we were passing a church when we saw all the people dressed up but then I realized it was for school.

 

We saw the river. We saw lizards. We walked and saw kids that chanted WHITE PEOPLE! as they danced up and down. We smelled various things that will never be able to capture the scene we were in.  sometimes we saw signs that said only dogs can peepee here. There are people selling all kind of things here. little girls carrying these giant buckets on their head that contain fruits or water or milk.

 

I'm telling you all of this because right now, I have not taken any photos of the culture. it's a delicate situation. Right now we are just adjusting to the culture, figuring things out, and seeing what comes of it.

 

Therefore, I'll have to describe walking down a road and having people stick out their hands and touch us, talk to us, or just stare at us.

 

As we started walking towards the Atlantic Ocean, we were sort of stopped by a group of drummers and dancers. It was this really cool african music. There was this guy all dressed up head to toe dancing and apparently warding off bad spirits. They were looking to be paid a couple of bucks so ken gave him a few and we tried to walk away but there was this guy who stood in front of us and started putting nails in his nose. Then he opened his mouth and showed us a razor blade and he quickly started hitting his tongue with it and then contracted the muscle in his tongue and it started bleeding. He was sort of playing with that blood and at this point I wanted to get away from him so Jim gave him a buck and we quickly walked out of there. That guy was a creep and he definitely left an impression on me.

 

At this point we had walked miles in the heat and I was paying for it. My stupid legs weren't used to working this hard in the winter and they had burned and swelled in the heat. I paid for that over the next few days.

 

We were growing tired so we walked to this ocean hotel to view the ocean and the sun and to eat sushi. The view was gorgeous and we talked about weird things and ate really good sushi.

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These are nuts, but they call them dirt peas. One of my favorite names even if I didn't get to enjoy them!

 

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We watched the sun set. Each night that we witnessed this event the sun disappeared before the horizon. Such a beautiful sight.

Ridiculous resolution and retina

So, I have mentioned before that I am currently in Africa. Monrovia, Liberia to be exact. It's been a little over a week and I feel as I am just getting the rhythm of life over here. On this trip, my school, who I'm doing this through/with, let us borrow some equipment to be able to work over here. We each got a Nikon d800 and some audio equipment. I was a little disgusted with the size of the RAW images that the d800 takes. (I'm not even sure if I was disgusted in a good or bad way) For example, I think one file for the d800 at the highest resolution was 75 mb. I suppose if you have the space, it doesn't really matter. So I was sorting through my photographs today and I came across this photo of this little boy Kwaku with a beautiful reflection in his eyes. I was in Lightroom, so I zoomed in 1:1. It was a crisp and clear reflection of myself. I zoomed in farther, 3:1 and was astounded at the clarity of the reflection. There I could see myself, my classmates, Jim and Jess, and my professor sitting in a chair. See for yourself.

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The clarity is astounding and I was pleased for an example to give people who are thinking about investing in a d800. They are incredible studio cameras with the ability to blow up for large scale prints. I believe the image size for a tiff I was working on was 170 inches by 95 inches, and I know they can be much much larger in size as well. Once again, I agree with the statement that d800's make spectacular studio cameras. They might not be ideal for travel because they are heavier and slower that the d600 but I'm appreciating the full frame on this trip!

 

I would also like to take a moment and say I recently bought a new macbook this past fall. I was using one from 2007, a computer that wouldn't update nor would it run Final Cut X or some other programs. I kept having to borrow a macbook pro and I felt guilty always taking their computer. So this year I decided to invest. I researched the hell out of the regular macs vs the retina, the ibook vs the MacBooks, etc. It was a long process, but after looking at my blog, side to side, one with the retina and one without I realized I needed the one with. After all it's probably the most useful for people like myself who work on images, photos, or designs. This new MacBook Pro uses 2880x1800, which equals a more than 5 Megapixel image. In terms of sharpness, it figures out to almost 221 pixels per inch. It's ridiculously sharp. I can only describe it by saying my photos are so vivid and sharp they almost look wet on the screen. If you're a photographer, it's worth the extra money to see your photos on the retina screen, in my opinion. Maybe I'm just trying to justify this decision, but I'm happy with the one I made.

Anyways, I am in Monrovia until Friday just trying to soak all of this in until then. Internet here is like it was in 1999, so I haven't been able to upload large amounts of photographs. I encourage you to be patient until my return. These photos and stories are worth the wait. Hope everyone is enjoying their new year. It's a clean slate, so try and make your life a positive one! Happy New Year everyone.

D800 vs D600: Scott Kelbys Opinion

I wanted to post an article I found written by Scott Kelby. I've been thinking about upgrading my camera and I still don't know if I should be looking into the Nikon d600 or the d800.
After finding this article, I finally understand the differences and I'm excited I have an answer to this debacle.
Do you?
http://scottkelby.com/2012/the-nikon-d800-vs-the-d600-which-one-is-the-right-one-for-you/
"I’ve had a lot of people asking me in the past few weeks about whether they should get a Nikon D600 or Nikon D800.  In fact just this week a buddy of mine sent me an email asking that very question and I thought I would share with you pretty much what I told him.
Now before I do this I just want let you know that this is strictly my own opinion. I’m not DP Review and this is not a lab report. I’m certainly not speaking for Nikon here (in fact they would probably prefer I wasn’t speaking about this topic at all) but just know that this is a strictly how I see these two cameras after having shot with both of them (I actually own a D800) so at least I can share from using both in different shooting situations.
Is the D800 the D700′s replacement?
I think one of the big things that people thought when it first came out was that the D800 was the successor to the D700 and that makes sense because the number 800 comes after 700, and that’s pretty much the way Nikon has done product intros up to this point (the D200′s replacement was the D300. The D3′s replacement was the D4 and so on). However in my opinion I don’t think the D800 is a replacement for the D700 at all—it is completely different camera with a completely different customer in mind and here’s how to determine if you’re a potential D800 customer (again just from my experience and point of view):
The D800 is for you if you would be a medium format customer, but don’t want to pay $25,000 (or more) to enter that rarified air (in other words you need a very, very high resolution image file and that’s the most important thing but you’re not a full-time commercial photographer or a rich surgeon). So, who really needs a very very high resolution image file? Well, first off people who are shooting things where they need to capture a tremendous amount of detail, like commercial photographers shooting products. Though the D800 is also attractive if you are a landscape photographer or you primarily shoot cityscapes where keeping every little last bit of detail is of the utmost importance, then the D800 certainly fits that part of the bill.
But there more to it than just image file size
I don’t think that’s the main determining factor on whether you should get a D800. I think the main determining factor is actually “how large do you need to make your final images.” If you only show your images on the web, you’re pretty much wasting your money because the D800 hundred’s biggest feature is the ability to make very large prints which look very, very sharp. I’m not talking 16″ x 20″ prints — I’m talking about where 30″ x 40″ prints would be a small size print for you — I’m talking huge posters, backlit signs in the airport, billboards, and large output of that nature, and if that’s really what you’re doing, the D800 may be perfect for you because it has that 36-megapixel resolution that you really need to make sharp prints at huge sizes.
So, is it a Medium format camera in a DSLR body?
Now, while the D800 has a resolution that is similar to some medium format cameras, I don’t want you to think the D800 is a complete replacement for a medium format digital camera (or a digital back), because while it has a similar resolution, medium format cameras definitely have their own trademark look. There’s something special about the look of a medium format image that it unique to it. So while the D800 has incredible crispness, sharpness and all the stuff that is indicative of a medium format camera, the medium format cameras still have their own trademark look and feel. Some D800s would argue this point and say that their D800 files look better than a medium format. I’m not saying the Medium Format’s look is better. I’m just saying it has its own look (and some folks might like that look better).
So what’s the downside of a D800?
While for some folks the resolution is the best feature, for others it’s the biggest drawback. For example — I don’t think it makes a really great camera for travel photography.  For example if you shoot a simple five-frame HDR photo and you open that image in Photoshop —  those five images open on screen at one time is about six hundred megabytes. That’s 6/10 of a gig for one single HDR image (whew!).  Now imagine you’re stitching a pano with 14 frames. Something like that just really clogs up your pipeline in huge way (you’ll be stitching that pano for an hour). I know from first-hand experience because I took a D800 to Cuba and to Paris and while the images were sharp and crisp, the file sizes were just tremendous, and storage space really becomes an issue. You eat up memory cards like nobody’s business and you eat up your hard drive space like it going out of style, and your entire workflow is much slower because working with such huge files. Again, if you need files this big—no problem—perfectly understandable and you’re cool with all the extra headaches those file sizes bring, it’s great, but for most of us—working with those super high-resolution files will really be more trouble than they’re worth.
Contrast this with the old D700
I wouldn’t use the D800 for sports — the resolution is just too high to make it practical, and the frames per second rate is just too slow, and I’m sure Nikon would be the first ones to tell you it was never designed as a sports camera. In contrast, the D700 actually was pretty decent for sports, especially if you added the battery grip which pumped it up to eight frames per second, and I used it as my 2nd body on a number of occasions and it rocked.  Both cameras are great for portraits (though you might have to do some extra retouching with the D800 files because they pick up everything, and I mean everything), but again — if most of your images will be seen mostly on the web, I would have a hard time recommending that you by a D800.
The Nikon D600 is an entirely different story
I do see this camera as the upgraded replacement for the D700 (even though the model number is lower). Its file size is still pretty high (24 megapixels) but lower than the D800s 36-megapixels; it’s easier to work with its smaller files, it’s faster all around, and it’s got great video features.  That’s really how I see the D600 — a better D700. Take that great D700, then add great video features, and a few extra tweaks and updates and you’ve got the D600.
You can use it for travel and it works wonderfully well. You can shoot landscapes and it’s great for that too (and the images are still sharp and crisp), and you can shoot sports with it (I actually shot an NFL game with the D600 as my second body it while was a little slow, it took beautiful shots overall and I’d use it again).  I think this is a camera that will work for almost anything that you wanted to shoot and while it’s just an evolutionary step (where many would argue that the D800 was a revolutionary step because of its high resolution and sharpness at that price point) it’s a very good step in its evolution and an improvement over the D700, which is all we ever wanted, right — a better version of what we had. So, if you wanted to replace your D700 with something newer and better along the same lines (but with HD video), I think the D600 is that camera (and it’s about $1,000 cheaper than the D800).
So, which one takes better pictures?
Well, here’s the thing and its the big tiebreaker: where will you images be seen? If your images are seen on the web, I don’t think anyone will really be able to tell you, at web resolution, which shot was taken with the D800 or the D600 — even large sized images on the Web will look pretty much about the same (if not identical). However the one place where these two images will really hit that fork in the road is when you print really large images. At 13″ x 19″,  I think they would probably look very close to the naked eye if not identical.  At 30 x 40 , you’ll probably see a visible difference. As you get larger in size, the D800 images will really pull away from the D600s (or the D4′s for that matter), but you’ll have to go fairly big to start to see a real difference. So, honestly, unless you’re printing really large files, I’d have a hard time telling you to choose anything other than the D600 — it’s just that right camera at the right price with the right features for most of us.
Now, I know that since I’ve written this I will immediately hear from some photographers who’ll say “Scott, I have the D800 and it’s a wonderful travel photography camera” and then from someone else who uses it for sports and it’s perfect for them, and that’s fine— if you’re happy with your camera choice that’s great. Just remember this: loads of folks bought the D800 when it first came out, and I talked to a number of folks who bought it thinking it was the upgraded D700. That being said, it’s very, very, very rare to read anyone ever admit “I bought the wrong camera.” In fact, I’m not sure I’ve ever seen that sentence written online ever. As photographers, our job is to defend our purchase, and never admit we might have jumped the gun a bit, and I’m fully aware of that (and I hope you are, too). So, if you bought the D800 just to shoot Facebook profile photos for your clients, I fully expect you to tell my why you made the right choice. It’s OK. If you’re happy, that’s really all that matters.
They both have their Strengths and Differences
I shot with both cameras and they both have their strengths and weaknesses.  I think the reason why there are two separate cameras — the  D600 and D800 is because they were created for two very different customers and that’s a good thing because instead of just having just a D700 and D3 (like we used to have — just those two choices), now we’ve got this other camera in between (the D800) that I think actually replaces the very expensive D3x but at a fraction of the price, and I think that’s a great thing. The D3x was aimed at commercial photographers, and that’s who I think the D800 probably works best for, though those high res files may also appeal to some of us landscape and portrait photographers, too.
The bottom-line
There is nothing I hate more than reading a shootout review or article in a magazine comparing two or more cameras and at the end, the writer really doesn’t choose one or the other, they just kind of leave you with “Well, it depends on what you’re needs are, they’re both great cameras.” Well, duh. Every purchase we make depends on what our needs are. Well, I don’t want to leave you with that either, so I’m going to tell you what I told my friend. Get the D600.
I hope that helps you somewhat if you’re in that same “on the fence” situation between these two great cameras, and I hope it helps you make your decision that much easier. Cheers."

Posted by Scott Kelby

Editor and Publisher of Photoshop User Magazine, training director and instructor for the Adobe Photoshop Seminar Tour, President National Association of Photoshop Professionals (NAPP), CEO of Kelby Media Group, author of a string of bestselling technology books. Conference Technical Chair for the Photoshop World Conference & Expo, author of numerous Photoshop training DVDs and online courses, and co-host of PhotoshopTV, and "The Grid."

hola mr Macro,

On it's own little note, I recently was able to obtain an incredible lens for an incredible price. I work in a little camera store, and someone traded in a 105 mm f/2.8 Macro lens. I was ecstatic and snatched it up before anyone could take it. It's an incredible lens because of the long focal length and the fact that it's macro. It's amazing for portraits as it compresses people and doesn't make them look wider than they are. You, as the photographer, are also not in their face taking photos which can cause the subject anxiety (unless you're taking photos of peoples eyes, then it's terrifying).

Esme's 

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My eyes (taken by Esme Brandon ©)

Obviously distance is a factor in depth of field (DOF), so the closer I get to an object, like a flower or a bug , the less is in focus. I had to learn that the hard way when I photographed an object at school close in and didn't realize that some of the object would be out of focus. I needed to close up my aperture if I wanted more DOF.

In mexico there were a few really massive bugs we would see during the day, and I got really excited the day there was one right outside our room. So I got this lens out and got right into this giant bug's face as it climbed around the stairs. I think I really ticked him off because he tried drowning in a puddle.

Anyways, if you're a Nikon user, and you need a macro, I would HIGHLY recommend the 105 f/2.8 Macro lens. You won't have buyers remorse.